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Buried in NoisePaul DeMarinis
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Paul DeMarinis works embody an aesthetic culture of invention permeated by a critical, yet humorous and poetic spirit. Buried in Noise is being published on the occasion of his artist fellowshipat the DAAD artists’ program in Berlin, Germany. The publication compiles ocumentation on DeMarinis’s complete oeuvre since 1973 and the first published compendium of texts by the artist.
- Sales Rank: #2263541 in Books
- Brand: Demarinis, Paul (ART)/ Seiffarth, Carsten (EDT)/ Himmelsbach, Sabine (EDT)/ Beirer, Ingrid (EDT)
- Published on: 2011-05-17
- Original language: English
- Number of items: 1
- Dimensions: 9.60" h x 1.00" w x 6.70" l, 1.95 pounds
- Binding: Hardcover
- 208 pages
About the Author
Ingrid Beirer is head of the Berlin Artist Program of German Academic Exchange Program.
Carsten Seiffarth: Born 1963. Musicologist, founder and artistic director of the sound art gallery singuhr Hoergalerie Berlin and one of the artistic directors of the media art laboratory Tesla Berlin. As an independant cuator and producer he initiates and produces internationally exhibitions and projects in the sound art context.
Sabine Himmelsbach, born in 1966, is an art historian; she has been director of the Edith Russ Site for Media Art in Oldenburg since September 2005.
Paul DeMarinis has been working as an electronic media artist since 1971 and has created numerous performance works, sound and computer installations and interactive electronic inventions. He has performed internationally, at The Kitchen, Festival d'Automne a Paris, Het Apollohuis in Holland and at Ars Electronica in Linz and created music for Merce Cunningham Dance Co. His interactive audio artworks have been shown at the I.C.C. in Tokyo, Bravin Post Lee Gallery in New York and The Museum of Modern Art in San Francisco. Public artworks include large scale interactive installations at Park Tower Hall in Tokyo, at the 1996 Olympics in Atlanta and Expo 1998 in Lisbon and an interactive audio environment at the Ft. Lauderdale International Airport in 2003.
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1 of 1 people found the following review helpful.
An inspiring reference for media art
By Mona
"We tend to form our behavior around technologies, and we tend to form technologies around our behavior." One of the most thought provoking artists living today, Paul DeMarinis, has been working as an electronic media artist since 1971, and one of the first artists to use computers in performance. A tireless inventor, he has made fire speak, rain sing and ceramics remember in his numerous sound and computer installations and interactive electronic inventions, all while finding time to create music for Merce Cunningham Dance Co. DeMarinis has won a Guggenheim and Rockefeller awarded and the Golden Nica for Interactive Art at the prestigious Ars Electronica in Linz Austria. This book chronicles projects such as "The Edison Effect" that generates sounds from ancient phonograph records with lasers, "Gray Matter" that uses the interaction of body and electricity to make music, and "The Messenger" and "Firebirds" that examine the myths of electrical communication. This book is beautifully printed, a 288 page hardbound in full color, with one page descriptions on each project, plus essays by the most prominent figures in media art including Douglas Kahn, author of the sole source on audio art history published by MIT: Noise, Water, Meat: A History of Sound in the Arts, along with other notable essayests: Gascia Ouzounian, Fred Turner, Bernd Schulz, Thomas Levin, Erkki Huhtamo and Siegfried Zielinsky. It describes DeMarinis's work exhibited at The Museum of Modern Art, San Francisco and public artworks including large-scale interactive installations at Tokyo, at the Olympics in Atlanta, at Expo in Lisbon, and an interactive audio environment at the Ft. Lauderdale International Airport. Paul DeMarinis has been an Artist-in-Residence at The Exploratorium and at Xerox PARC and teaches at Stanford. This book is a dense, long-term reference for everyone interested in audio, electronic and media art.
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