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Although the terrorist attacks of 11 September 2001 shocked the world, America has confronted terrorism at home for well over a century. With the invention of dynamite in 1866, Americans began to worry about anonymous acts of mass violence in a way that differed from previous generations' fears of urban riots, slave uprisings, and mob violence. Focusing on the volatile period between the 1886 Haymarket bombing and the 1920 bombing outside J. P. Morgan's Wall Street office, Jeffory Clymer argues that economic and cultural displacements caused by the expansion of industrial capitalism directly influenced evolving ideas about terrorism.
In America's Culture of Terrorism, Clymer uncovers the roots of American terrorism and its impact on American identity by exploring the literary works of Henry James, Ida B. Wells, Jack London, Thomas Dixon, and Covington Hall, as well as trial transcripts, media reports, and the cultural rhetoric surrounding terrorist acts of the day. He demonstrates that the rise of mass media and the pressures of the industrial wage-labor economy both fueled the development of terrorism and shaped society's response to it. His analysis not only sheds new light on American literature and culture a century ago but also offers insights into the contemporary understanding of terrorism.
- Sales Rank: #4112135 in Books
- Published on: 2003-09-08
- Original language: English
- Number of items: 1
- Dimensions: .95" h x 5.22" w x 10.50" l, 1.24 pounds
- Binding: Hardcover
- 296 pages
Review
A complex and beautifully argued book.--Australasian Journal of American Studies
America's Culture of Terrorism is a tightly focused work of literary and cultural history.--American Literature
Provide[s] needed historical context to Americans' current efforts to make sense of terrorism in the twenty-first century.--American Historical Review
It's high time that first-rate academic humanists enter the national debate over terrorism and anti-terrorism; it's thus high time for Jeffory Clymer's learned, inventive book.--William J. Maxwell, author of New Negro, Old Left: African-American Writing and Communism between the Wars
From the Haymarket Square explosion in 1886 to the almost-forgotten bombing of Wall Street in 1920, Jeffory Clymer reminds us of two critical aspects of American society in the era of industrial capitalism: first, that acts of terrorism have been committed on American soil ever since the invention of dynamite, and second, that Americans have somehow managed to forget this fact again and again. In this respect, nothing has changed since September 11, 2001--except that Clymer's argument has become still more urgent and more necessary. Charting the strange career of American terrorism through the nineteenth-century 'propagandists of the deed' through the works of Henry James, Jack London, Thomas Dixon, and poets of WWI, America's Culture of Terrorism is an original, surprising, and enlightening book.--Michael Berube, Pennsylvania State University
About the Author
Jeffory A. Clymer is associate professor of English at the University of Kentucky.
Most helpful customer reviews
4 of 9 people found the following review helpful.
The Brutal Truth About Terrorism
By John Jefferson
Disgruntled workers acting out in acts of violence and assassination. A greedy author looking to make a quick buck by exploiuting terrorism. Tensions between groups of people including the repeated persecution of one by the other. Sound familiar? Sound new? Not hardly. This all took place during the turn of the twentieth century.
Clymer explains that terrorism is not new in America. Workers revolting against their bosses and the system that held them down blew up railway cars and buildings. Supporters of prosecuted miners assassinated the Governor of Idaho. The Haymarket bombing in Chicago in 1886 caused widespread panic. Beause the culprit and the motive were never determined, the uncertainty fueld even more speculation and tension. Jack London capitalized on the voracious appetite for terrorism-related literature in The Assassination Bureau and The Iron Heel, which he specifically mentioned to Macmillan Publishing was ripe for the consumer public. Thomas Dixon and Ida B. Wells wrote about the conditions in the reconstruction South . Dixon glorified the Ku Klux Klan and was concerned about mulattoes and skin bleaching tonic; Wells set out an explanation that the vacuum left by the end of slavery was filled by the phenomenon of rape as a way to control black men.
The difficulty with this work is that Clymer does not tie in the past witht he present terrorism situation at any part after the introduction. Clymer's background in English is extremely evident here as this is a beautifully crafted work of rhetoric. However, as a student of history and politics, this work is relegated to a supplementary role as it deals primarily with how terrorism was portrayed in works of fiction. No matter how realistic Henry James, Jack London, and Thomas Dixon's novels may be, they remain works of fiction ans thus unusable to serious students of history. However, this work remains useful for its philosophical discussion of terrorism overall.
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